Surround David Juritz & London Mozart Players - Antonio Vivaldi - The Four Seasons (2001) DVD-Audio multichannel music

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David Juritz & London Mozart Players - Antonio Vivaldi - The Four Seasons (2001) DVD-Audio
Artist: David Juritz & London Mozart Players - Antonio Vivaldi | Album: The Four Seasons | Released: 2001 | Quality: DVD-Audio ( MLP 5.1 96kHz/24Bit, DTS 5.1, Dolby AC3 5.1 Bitrate: lossless ) | Label: Naxos | Catalog #: 5.110001 | Genre: Classical Music


Tracklist:

Spring

01. Concerto in E major, Op. 8 No. 1: Allegro (03:07)
02. Concerto in E major, Op. 8 No. 1: Largo e pianissimo (02:34)
03. Concerto in E major, Op. 8 No. 1: Danza pastorale: Allegro (03:43)

Summer

04. Concerto in G minor, Op. 8 No. 2: Allegro (05:10)
05. Concerto in G minor, Op. 8 No. 2: Adagio (02:17)
06. Concerto in G minor, Op. 8 No. 2: Presto (02:40)

Autumn

07. Concerto in F major, Op. 8 No. 3: Allegro (05:03)
08. Concerto in F major, Op. 8 No. 3: Adagio (02:07)
09. Concerto in F major, Op. 8 No. 3: La Caccia: Allegro (03:04)

Winter

10. Concerto in F minor, Op. 8 No. 4: Allegro non molto (03:09)
11. Concerto in F minor, Op. 8 No. 4: Largo e cantabile (01:40)
12. Concerto in F minor, Op. 8 No. 4: Allegro (03:04)

"The Assumption Of The Feast Of The Virgin Mary"

13. Concerto in D major for violin and double orchestra: Allegro (05:04)
14. Concerto in D major for violin and double orchestra: Grave (01:47)
15. Concerto in D major for violin and double orchestra: Allegro (04:52)
16. Concerto in C major for violin and double orchestra: Adagio e staccato - Allegro ma poco, poco (04:43)
17. Concerto in C major for violin and double orchestra: Largo (02:39)
18. Concerto in C major for violin and double orchestra: Allegro (04:42)
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This is only Dolby or DTS 5.0 Surround, not 5.1. This recording was made utilising 24bit 96kHz technology. It was recorded and edited in five channels to provide a typical surround mix. This is to say the sound stage is spread over front three channels, whilst the rear channels contain the natural ambiance of the Church of St. Silas the Martyr, Chalk farm, to give the listener a realistic representation of the acoustic in which the performance took place. This is immediately apparent if one mutes the rear channels.

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